來源:Peatix

Concert Film|Arts in Everyday 2025—John Kage和小野洋子
[English below]
在實驗音樂/前衛藝術×實驗電影的據點觀看“演奏會的記錄電影”
在劇院形象論壇上“特別放映”

實驗音樂和前衛藝術大師約翰·凱奇和小野洋子。
「如果1960年代的前衛在60年後再次被釋放怎麽辦?」

今年5月11日，在代官山Hillside Terrace內的“Hillside Plaza”舉辦了演奏會《Arts in Everyday 2025-John Cage and Ono Yoko》。記錄的圖像將在實驗電影/藝術電影的神聖之地=劇院圖像論壇放映。

該館將現代音樂 (Contemporary classical music) 演奏會作為“記錄電影”上映實屬罕見。
這將是一個歷史性的夜晚。

在演奏會當天的舞臺上，客人和舞臺融為一體，那種緊張感和熱情刻在影像上。
每一位客人的表情都能捕捉到，會場整體共振的瞬間在屏幕上再現。

▶︎入場
全席自由席、限定60席|18:25開始發放號碼牌/18:45開場
18:25發放整理券/18:45入場/編號順序 (1–20→21–40→41–60)
請在18:35之前準備好號碼牌。
※因為是自由席，所以不能指定座位。
※根據座位的位置，看的方式不同。

▶︎附帶對話
本篇結束後、21:30開始、有演出者的談話

*什麽是Endroll記名票?
本記錄電影的片尾將會記載購買者的名字。
11/19上映當天，屏幕上會播放記名。
也收錄在販賣版Blu-ray中。
並且，將保存用冊子的贊助者姓名和完成影像數據寄存在草月會〔資料室〕/John Cage Trust/Yoko Ono’s Studio One※
購買者的姓名將通過影片和保存名冊刻在歷史檔案中 (取決於機構的最終批準) 。
DVD按訂單生產。

截止日期:10月31日 (星期五) 23:59
※達到規定人數即停止受理
 
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【提前收看】 小野洋子《Cut Piece》 (2025) 發佈中
價格·觀看條件請參閱交付頁面。-單擊視聽]
※與主要放映的記錄電影分開發行。

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Arts in Everyday 2025—John Kage和小野洋子
完全無剪輯2個半小時—中間有休息 (當天休息時的影像也包含表演)

▶︎程序
John Kage:0分0秒、4分33秒、Aria、Fontana Mix、Solo for Piano、其他
小野洋子:“葡萄柚”——切片片、管絃樂團之牆片、其他

▶︎出演
Naoko Nishimura (鋸、PPT)
身體樂隊水面化—Osono青沼沙季吉澤楓(現代舞、語音性能)
橫山博 (鋼琴)

▶︎記錄影像拍攝、編輯
白巖義行

▶︎綜合演出
Naoko Nishimura (出演《田森俱樂部》，主演NHK綜合頻道『文檔20min.』)

▶︎服裝/美術
村上美知瑠(馬修·巴尼，Bjork服裝經理“約束繪圖9”)

▶︎照明
植村真(音樂劇《埃格蒙特》、歌劇《漫長的終結》、《謎音——從水底敲響的鐘》)

▶︎企劃制作
零辦公室

▶︎協助
Hillside Terrace (朝倉不動產株式會社)
一般社團法人草月會
慶應義塾大學藝術中心
GALLERY 360°
OMEGA POINT
株式會社Prox

▶︎服裝協助
華歌爾株式會社、Spiral/華歌爾藝術中心株式會社

票的一般發售從9月1日開始。
本Peatix頁面是僅限郵件註冊者的預售專用頁面。請勿轉發、共享URL。

※草月會 (資料室) /John Cage Trust/Yoko Ono’s Studio One簡介

·草月會肩負著草月流的研究和普及工作，在舊草月會館作為“草月藝術中心” (1958–71) 運營前衛藝術的據點。約翰·凱奇、大衛·楚多初到日本時，發表了《0分0秒》、《ARIA》等。小野洋子的《Cut Piece》等也在這裡上演。

·John Cage Trust:一個收集，存儲和發佈John Cage作品和材料的非營利組織。自2007年以來，我們一直在Bard College設立辦事處，並繼續進行存檔和教育活動。

·Yoko Ono的Studio One:小野洋子的官方辦公室。

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Arts in Everyday 2025 — John Cage & Yoko Ono

Watch an “concert film” of experimental music / avant-garde art at Japan’s hub for experimental cinema.
Special screening at Theatre Image Forum.

Masters of experimental music and avant-garde art: John Cage and Yoko Ono.
“What if the avant-garde of the 1960s were released again, sixty years later, now?”

On May 11 this year at “Hillside Plaza” inside Daikanyama Hillside Terrace, we presented the concert “Arts in Everyday 2025 — John Cage & Yoko Ono.” Its concert film will be screened at Theatre Image Forum, a sanctuary for experimental and art film.

The screening a contemporary classical concert explicitly as a “concert film” remains highly unusual.

On that night the audience and stage formed a single field. The tension and heat are imprinted in the images. Faces in the crowd are captured in detail, and the moments when the hall resonates as one are reconstructed on the screen.

▶︎ Entry
All seats unreserved / 60 seats only
Numbered tickets distributed from 18:25 / doors 18:45
Entry order by number blocks (1–20 → 21–40 → 41–60)
Please have your number ready by 18:35.
*Visibility differs by seat position due to unreserved seating.

▶︎ Post-screening talk
A talk with performers starts at 21:30 after the main program.

What is an End-Credit Name Ticket?
Your name will appear in the film’s end credits.
Names will be shown on the screen at the 11/19 screening.
They will also be included in the commercial Blu-ray.
In addition, the donor list in the archival booklet and the completed video data will be deposited with Sogetsu Foundation [Archives], the John Cage Trust, and Yoko Ono’s Studio One.
Your name will thus be recorded in historical archives through the film and donor register (subject to final approval by each institution).
DVDs are made to order.

Limit: 30 names | Deadline: Sun, Sept 20, 23:59
*Sales close once the limit is reached.

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[Early Access Streaming] Yoko Ono “Cut Piece” (2025) now available
See the platform for price and viewing terms → [Watch]
*Separate from this screening’s concert film.
https://www.youtube.com/watch?v=KnbjBRv97o8
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Arts in Everyday 2025 — John Cage & Yoko Ono

Full uncut 2.5 hours — with an intermission
(Performance content is included on screen during the break on the day.)

▶︎ Program
John Cage: “0’00’’”, “4′33″”, “Aria”, “Fontana Mix”, “Solo for Piano”, etc.
Yoko Ono: from “Grapefruit” — “Cut Piece”, “Wall Piece for Orchestra”, etc.

▶︎ Performers
Naoaki Nishimura (musical saw, PowerPoint)
Karada Band Suimenka — Osono, Saki Aonuma, Kaede Yoshizawa (contemporary dance, voice performance)
Hiroshi Yokoyama (piano)

▶︎ Cinematography / Editing
Yoshiyuki Shiraiwa

▶︎ General Direction
Naoaki Nishimura (appeared on “TAMORI Club”; lead in NHK General “Document 20min.”: “Do-Re-Mi in Everyday Life”)

▶︎ Costume / Art
Michiru Murakami (costumes for Matthew Barney and Björk, “Drawing Restraint 9”)

▶︎ Lighting
Makoto Uemura (“Egmont” music theatre; opera “A Long Ending”; “Nazo-on – A Bell Sounding from the Depths”)

▶︎ Planning & Production
Office ZERO

▶︎ Production
Office ZERO

▶︎ Partners
Hillside Terrace (Asakura Real Estate Co., Ltd.)
Sogetsu Foundation
Keio University Art Center
GALLERY 360°
OMEGA POINT
Prox Co., Ltd.

▶︎ Costume Cooperation
Wacoal Corp.; Spiral / Wacoal Art Center

General ticket sales start Sept 1.
This Peatix page is a pre-sale for email subscribers only. Please do not share or forward the URL.

*About Sogetsu Foundation [Archives] / John Cage Trust / Yoko Ono’s Studio One

• Sogetsu Foundation: The organization behind the Sogetsu School. The former Sogetsu Art Center (1958–71) operated as a hub for the Japanese avant-garde. At its first Japan visit, John Cage and David Tudor presented “0’00’’,” “Aria,” etc. Yoko Ono’s “Cut Piece” and other works were also performed there.
• John Cage Trust: A non-profit that collects, preserves, and makes available Cage’s works and materials. Based at Bard College since 2007, continuing archival and educational activities.
• Yoko Ono’s Studio One: Yoko Ono’s official office.

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